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Thursday, October 8, 2026
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Game Review: Sleaford Mods' Jason Williamson Assumes Character in Critical Examination at Ecstasy Generation Era

The work of Portishead co-founder Geoff Barrow, this scabrous though slight first film turns a sceptical eye on 90s rave culture. Venal drug user David (the actor) first robs an unconscious dealer, then in another flashback tries to break into his own parents. In no time, he's upside down in the wreckage of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Darkly Funny Duel

The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to free himself from his seatbelt, while clumsily segueing into flashbacks of his normal activities. The central theme – that the ecstasy generation were mainly focused on themselves – is firmly made. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Poacher arrives, fuming after David kills his dog. Nevertheless, a grimly amusing standoff unfolds – David desperate to escape; the Woodsman withholding his jerrycan of cider, intent on soaking him instead in embittered discourse. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Music Video Sensibility

Just a single important plot development, but it leads to a comically executed rampage on the woodland paths that dips close to folk horror. Director John Minton at last unleashes with his showy imagery: where he was hunkered down doing impressionistic closeups of bugs in headlights in the early stages, he now goes all out with the full lysergic grand display, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.

The film is in British and Irish theaters from November 17.

Written by

Phyllis Williams

A seasoned travel writer with over a decade of experience exploring Las Vegas, specializing in nightlife and luxury experiences.

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